The MaddAddam Trilogy consists of three separate novels done
over the course of a decade by the world famous Canadian author Margaret Atwood
of The Handmaid’s Tale fame. It’s
kind of metal.
I heard about it through twitter when it was announced that
HBO and Darren Aronofsky of the recent Noah film and the classic 90’s drug epic
Requiem For a Dream had signed an
agreement for a new show inspired by and adapted from the trilogy. Immediately
I had to get up on this. As you can imagine it did not let me down and I was able to burn through all three books in about two weeks. I have high hopes of course for the show as this material is insanely rich.
Think Walking Dead mixed with Bladerunner and a dash of Splice and you’ll have some idea of how badass this is. Plus she deftly serves helping after helping of thick satire and parody; not only for feminism, sexism, politics, and environmentalism, but through a deep and painful commentary on the human condition she pokes fun at our modern society and its obsessions. It cuts like a knife. I really hope HBO doesn’t fuck this up.
The world’s population is divided into plebes and an elite
working class (irony). The elites live in corporate compounds that have their
own security forces and are completely self-contained and typically highly
luxurious. These highly guarded and militarized compounds are the entire
sociocultural reality for the corporate workers and their families and include
homes, amenities, schools, transportation, restaurants etc.
The plebes live in the “plebelands” which is basically everywhere
else that’s both live able and that’s not a corporate compound. Primarily these
are Northern east coast and Midwest regions as most of the west coast is
underwater and the south is scorched from global warming. Most industry is driven by genetic science that works to prolong life, splice animals for products and food, and enhance the power of the corporations over the populace. As a result there are strange splices like Pigoons (human and pig), Rakunks (raccoon and skunk), and Wolvogs (wolves that look like domestic dogs). These have various uses like organ harvesting (Pigoons), and defense (cute wolvogs that act like feral wolves). Most of the combinations are hilarious, and at the same time disgustingly realistic.
Generally speaking this is a post-apocalyptic story that
jumps around from before, during, and after what comes to be known as the
Waterless Flood. By using flashbacks and interrelated character arcs we learn
across the three novels how each character effected and experienced the
pandemic that has destroyed most of humanity.
The first book is called Oryx
and Crake and tells the story of Jimmy (Snowman the Jimmy) as he rummages
around the aftermath of the collapse of civilization. His only companions are a
strange naked genetically engineered people known as “Crakers” who are
non-violent and have been engineered to replace Homo sapiens. They are so very
funny and childlike, as the novels roll on that you are at once reviled by them
and rooting for them.
Opening post “flood” with Jimmy naked and destitute trying to forage for booze, you learn that humanity is completely destroyed
by a virus created and unleashed by Crake that leaves Jimmy
as the only person alive besides the “Crakers” or “Children of Crake. Jimmy has
become a “god” to them and he loyally (but somewhat schizophrenically) creates
a mythology for them to frame their “innocent” reality tunnel. All for a bit of
fish.
He fights for survival to find food and weaponry and the
novel ends with us discovering other people have survived.
The second book is called The Year of the Flood and centers on the recollections of key
members of the cult called God’s
Gardeners. This cult is simply nature based and eats no meat – relying upon
old world survival knowledge of herbs and honey cultivation. They live an
acetic life and learn combat and survival techniques as life in the plebelands
is dangerous and crime ridden.
We learn that Crake was an evil genius that worked the
Gardeners to learn more about his father’s death which ultimately resulted in
his nihilism and his release of the pandemic known as the “waterless flood.” This
group survives the pandemic and is found by Snowman the Jimmy and meets the
Crakers.
In the last and final book titled MaddAddam (an obvious palindrome on the name Adam) it becomes clear
why the God’s Gardeners held their
anarchist philosophy and also how they knew of the coming of the flood.
The characters are so endearing that by the end they seem
real. The pacing is touchy and a little academic for some tastes, but it can’t
be denied that Atwood is at the top of her game and that the issues she’s raising
are luridly strong stuff even for the modern stomach.
I’d definitely give this one a Fresh and we’ll see what HBO
can do with it.
Matt Cowart
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